Beyonce emerges as Grammys queen, Harry Styles wins album honour

LOS ANGELES — Beyonce sits alone atop the Grammy throne as the ceremony’s most decorated artist in history, but at the end of Sunday’s show it was Harry Styles who walked away with the album of the year honor.

The Grammys spread its top awards among other artists, leaving Beyonce off stage at the end of the night. But the superstar was a constant presence throughout the night, even when she wasn’t in the room, especially once she won her 32nd award and surpassed late composer Georg Solti in all-time wins.

“I’m trying not to be too emotional,” the superstar said after her historic win as her husband Jay-Z stood and applauded her. The singer thanked her late uncle, her parents, Jay-Z and her children for supporting her. “I’m just trying to receive this night. I want to thank God for protecting me. Thank you, God.”

The Grammys stage at the end of the night has eluded Beyonce since 2010, when she won song of the year for “Single Ladies.” She added four trophies to her collection for her album “Renaissance.”

Styles was emotional accepting his album of the year award, saying he was inspired by everyone in the category. “A lot of different times of my life, I’ve listened to everyone in these categories. It’s so important to remember that there is no such thing as best.”

The British singer-actor took home three awards Sunday. “It feels like validation that you’re on the right path,” said the singer backstage. “When we get in the studio and begin the record, we just make the music we want to make. It feels really nice to feel like ‘Oh, that’s the right thing to do.”’

Beyonce missed being in the room when she tied Solti’s record early in the telecast. Host Trevor Noah said she was on her way to the ceremony but blamed Los Angeles traffic for not being in person to accept it.

Once Beyonce — the night’s leading nominee — finally arrived, Noah presented her with the best R&B song award at her table.

Beyonce won for best R&B song for “Cuff It,” dance-electric music recording for “Break My Soul,” traditional R&B performance for “Plastic Off the Sofa” and dance-electric album for “Renaissance,” which was nominated for album of the year.

Lizzo won record of the year for “About Damn Time,” delivering a rousing speech that brought many in the audience, including Beyonce, Taylor Swift and Adele, to their feet.

“Me and Adele were having a good time, rooting for our friends. This is an amazing night. This is so unexpected,” Lizzo said, dedicating her award to Prince.

“I wanted to make the world a better place, so I had to be that change to make the world a better place. Now, I look around and see these songs are about loving your body and feeling comfortable in your skin and feeling good.”

Jazz singer Samara Joy won best new artist, shrugging off challenges by such acts as Wet Led, Anitta and Maneskin. The New Yorker was virtually in tears when she collected the award and noted that her little brother was her date. “I’m so, so grateful. Thank you.” She has released two albums as a lead artist and also won the Grammy for best jazz vocal album earlier in the night.

Veteran singer-songwriter Bonnie Raitt shrugged off big-name rivals like Adele, Swift and Beyonce to win the song of the year award. “I’m so surprised. I don’t know what to say,” a visibly stunned Raitt said, adding that the song “Just Like That” explores organ donation. It capped a night when Raitt won two other Grammys — for best Americana performance and best American roots song.

A who’s who of hip-hop royalty took the stage for an epic, rousing 15 minute tribute to the genre’s 50th anniversary. The performance included Grandmaster Flash doing part of his seminal hit “The Message,” Run DMC, Chuck D and Flavor Flav along with Ice-T, Queen Latifah, Busta Rhymes and Nelly all taking the stage.

It ended with everyone on the stage and LL Cool J shouting “multi-generational! Fifty years!”

The performance was a crowd-pleasing moment for a ceremony that has long had a shaky history of not recognizing rap.

Bad Bunny opened the show with a festive, high-energy performance that brought many of the audience including Swift who rose to her feet and danced near her table at Los Angeles’ Crypto.com Arena.

Sam Smith and Kim Petras won best pop duo-group performance for their song “Unholy.” Petras said Smith wanted Petras to make the acceptance speech because “I’m the first transgender woman to win this award.”

“I want to thank all the incredible transgender legends before me who kicked these doors open for me so I could be here tonight,” said Petras, who made a reference to friend and Grammy-nominated musician Sophie, who died after an accidental fall in Athens, Greece in 2021. “You told me this would happen. I always believed in me. Thank you so much for your inspiration, Sophie. I adore you, and your inspiration will forever be in my music.”

Petras thanked Madonna for being a tremendous supporter of LGBTQ rights.

“I don’t think I could be here without Madonna,” Petras said. “My mother, I grew up next to a highway in nowhere Germany. And my mother believed me that I was a girl. I wouldn’t be here without her and her support.”

During the in memoriam segment, the Grammys recognized the lives of Loretta Lynn, Migos rapper Takeoff and Christine McVie with several star-studded performers paying them homage. The touching performances included Kacey Musgraves singing “Coal Miner’s Daughter” in tribute to Lynn; Quavo and the Maverick City Music hit the stage to honor his nephew Takeoff with the song “Without You;” and Sheryl Crow, Mick Fleetwood and Bonnie Raitt performed “Songbird” to remember McVie.

Kendrick Lamar won sixth career trophy for best rap performance for “The Heart Part 5” and also won best rap album for his studio offering, “Mr. Morales & The Big Steppers.”

“You know, as entertainers, we say things to provoke thoughts and feelings and emotions,” he said. “So making this record is one of my toughest. … I would like to thank the culture for allowing me to evolve in order to make this. I finally found imperfection with this album.”

Viola Davis emerged from Sunday’s show an EGOT — a term for those who have won an Emmy, Grammy, Oscar and Tony — after her win for best audio book, narration and storytelling recording. The actor gave an emotional speech and emphatically said “I just EGOT” after she marched on stage to collect her award.

“Oh, my God,” she said. “I wrote this book to honor the 6-year-old Viola, to honor her, her life, her joy, her trauma, everything,” Davis said. “It has just been such a journey.”

The show made its return to Los Angeles after the pandemic first delayed, then forced the Grammys to move to Las Vegas last year. Noah hosted the ceremony as well, which saw Jon Batiste take home album of the year.

The list of winners from the 65th Grammy Awards.

Album of the year

“Harry’s House,” Harry Styles

Record of the year

“About Damn Time,” Lizzo

Song of the year

“Just Like That,” Bonnie Raitt

Best new artist

Samara Joy

Best rap album

“Mr. Morale and the Big Steppers,” Kendrick Lamar

Best rap performance

“The Heart Part 5,” Kendrick Lamar

Best rap song

“The Heart Part 5,” Kendrick Lamar

Best melodic rap performance

“Wait for U,” Future Featuring Drake and Tems

Best R&B performance

“Hrs & Hrs,” Muni Long

Best R&B album

“Black Radio III,” Robert Glasper

Best traditional R&B performance

“Plastic Off the Sofa,” Beyoncé

Best progressive R&B album

“Gemini Rights,” Steve Lacy

Best R&B song

“Cuff It,” Beyoncé

Best pop vocal album

“Harry’s House,” Harry Styles

Best pop solo performance

“Easy on Me,” Adele

Best pop duo/group performance

“Unholy,” Kim Petras and Sam Smith

Best traditional pop vocal album

“Higher,” Michael Bublé

Best rock performance

“Broken Horses,” Brandi Carlile

Best rock album

“Patient Number 9,” Ozzy Osbourne

Best rock song

“Broken Horses,” Brandi Carlile

Best metal performance

“Degradation Rules,” Ozzy Osbourne featuring Tony Iommi

Best alternative music album

“Wet Leg,” Wet Leg

Best country album

“A Beautiful Time,” Willie Nelson

Best country song

“‘Til You Can’t,” Cody Johnson

Best country duo/group performance

“Never Wanted to Be That Girl,” Carly Pearce and Ashley McBryde

Best country solo performance

“Live Forever,” Willie Nelson

Best dance/electronic music album

“Renaissance,” Beyoncé́

Best dance/electronic recording

“Break My Soul,” Beyoncé

Best comedy album

“The Closer,” Dave Chappelle

Best audio book, narration, and storytelling recording

“Finding Me,” Viola Davis

Best music video

“All Too Well: The Short Film,” Taylor Swift

Best improvised jazz solo

“Endangered Species,” Wayne Shorter & Leo Genovese

Best jazz instrumental album

“New Standards, Vol. 1,” Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton and Matthew Stevens

Best large jazz ensemble album

“Generation Gap Jazz Orchestra,” Steven Feifke, Bijon Watson and Generation Gap Jazz Orchestra

Best Latin pop album

“Pasieros,” Rubén Blades and Boca Livre

Best música urbana album

“Un Verano Sin Ti,” Bad Bunny

Best Latin rock or alternative album

“Motomami,” Rosalía

Best regional Mexican music album (including Tejano)

“Un Canto por México – El Musical,” Natalia Lafourcade

Best tropical Latin album

“Fandango at the Wall in New York,” Arturo O’Farrill and the Afro Latin Jazz Orchestra featuring the Congra Patria Son Jarocho Collective

Best gospel performance/song

“Kingdom,” Maverick City Music and Kirk Franklin

Best contemporary Christian music performance/song

“Fear Is Not My Future,” Maverick City Music and Kirk Franklin

Best roots gospel album

“The Urban Hymnal,” Tennessee State University

Best American roots performance

“Stompin’ Ground,” Aaron Neville and the Dirty Dozen Brass Band

Best American roots song

“Just Like That,” Bonnie Raitt

Best Americana album

“In These Silent Days,” Brandi Carlile

Best bluegrass album

“Crooked Tree,” Molly Tuttle and Golden Highway

Best traditional blues album

“Get on Board,” Taj Mahal and Ry Cooder

Best contemporary blues album

“Brother Johnny,” Edgar Winter

Best folk album

“Revealer,” Madison Cunningham

Best regional roots music album

“Live at the 2022 New Orleans Jazz & Heritage Festival,” Ranky Tanky

Best reggae album

“The Kalling,” Kabaka Pyramid

Best global music performance

“Bayethe,” Wouter Kellerman, Zakes Bantwini & Nomcebo Zikode

Best global music album

“Sakura,” Masa Takumi

Best children’s music album

“The Movement,” Alphabet Rockers

Best instrumental composition

“Refuge,” Geoffrey Keezer

Best musical theater album

“Into the Woods (2022 Broadway Cast Recording),” ‘Into the Woods’ 2022 Broadway Cast

Best compilation soundtrack for visual media

“Encanto,” Various Artists

Best score soundtrack for visual media

“Encanto,” Germaine Franco

Best song written for visual media

“We Don’t Talk About Bruno,” Lin-Manuel Miranda, songwriter (Carolina Gaitán – La Gaita, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and “Encanto” Cast)

Best arrangement, instrumental or a cappella

“Scrapple From the Apple,” Magnus Lindgren, John Beasley and The SWR Big Band Featuring Martin Auer

Best arrangement, instruments and vocals

“Songbird (Orchestral Version),” Christine McVie

Best recording package

“Beginningless Beginning,” Tamsui-Kavalan Chinese Orchestra

Best boxed or special limited edition package

“In and Out of the Garden: Madison Square Garden ’81, ’82, ’83,” The Grateful Dead

Best album notes

“Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition),” Wilco

Best historical album

“Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition),” Wilco

Best engineered album, non-classical

“Harry’s House,” Harry Styles

Producer of the year, non-classical

Jack Antonoff

Best remixed recording

“About Damn Time (Purple Disco Machine Remix),” Lizzo

Best immersive audio album

“Divine Tides,” Stewart Copeland and Ricky Kej

Best music film

“Jazz Fest: A New Orleans Story,” Various Artists

Best engineered album, classical

“Mason Bates: Philharmonia Fantastique: The Making of the Orchestra,” Edwin Outwater and Chicago Symphony Orchestra

Producer of the year, classical

Judith Sherman

Best orchestral performance

“Works by Florence Price, Jessie Montgomery, Valerie Coleman,” New York Youth Symphony

Best opera recording

“Blanchard: Fire Shut Up in My Bones,” The Metropolitan Opera Orchestra and the Metropolitan Opera Chorus

Best choral performance

“Born,” Donald Nally, conductor (Dominic German, Maren Montalbano, Rebecca Myers and James Reese; The Crossing)

Best chamber music/small ensemble performance

“Caroline Shaw: Evergreen,” Attacca Quartet

Best classical instrumental solo

“Letters for the Future,” Time for Three, the Philadelphia Orchestra and Xian Zhang

Best classical solo vocal album

“Voice of Nature: The Anthropocene,” Renée Fleming and Yannick Nézet-Séguin

Best classical compendium

“An Adoption Story,” Kitt Wakeley

Best contemporary classical composition

“Puts: Contact,” Time for Three, the Philadelphia Orchestra and Xian Zhang