In a recent performance at the Shakespeare Theatre Company in Washington, D.C., William Shakespeare's "Comedy of Errors" brought laughter and confusion to the stage in equal measure. This early work by the Bard, believed to have been written between 1589 and 1594, showcases his comedic prowess in a compact form, being his shortest comedy at just 1,787 lines.
The production, directed by artistic director Simon Godwin, breathes new life into the classic tale of mistaken identities. The play revolves around two sets of identical twins separated by a shipwreck, a unique feature among Shakespeare's works. As one pair arrives in search of the other, a series of hilarious misunderstandings unfolds.
Alex Brightman and David Fynn shine as the Dromio brothers, servants to the noble Antipholus twins played by Christian Thompson and Ralph Adriel Johnson. Their physical comedy, particularly in a mirror-like scene that had the audience in stitches, exemplifies the production's commitment to visual humor.
The set design by Ceci Calf transports the audience to a vibrant seaside square, reflecting the play's original setting of Ephesus, an ancient Greek city. Fishing nets draped across the stage cleverly symbolize the entanglements to come, while the colorful aesthetic captures the chaotic energy of the 1990s, the chosen era for this adaptation.
Shayvawn Webster and Cloteal L. Horne deliver standout performances as the sisters Adriana and Luciana, providing a grounding presence amidst the escalating absurdity. Their reactions to the seemingly inexplicable behavior of their male counterparts add depth to the farcical proceedings.
The production incorporates modern elements, including contemporary vernacular and musical numbers composed by Michael Bruce. While not all additions land perfectly, they contribute to the overall lively atmosphere. The grand finale, in particular, stands out as a crowd-pleasing musical moment.
Costume designer Alejo Vietti creates a visual feast that blends various subcultures, adding to the production's eclectic charm. The overall aesthetic successfully captures the "hot mess" style of the 1990s, even if specific references to the decade are subtle.
As the plot thickens, involving arrests, an attempted exorcism (a nod to the play's unique inclusion of demonic possession in Shakespeare's canon), and a madcap chase, the production's various elements coalesce into a delirious and satisfying climax. This chaotic energy brings together the diverse theatrical tricks employed throughout the performance.
"Comedy of Errors" has been a staple of the theatrical world since its premiere on December 28, 1594, at Gray's Inn in London. Its enduring popularity is evident in its numerous adaptations, including musicals and operas, and translations into over 80 languages.
While this production takes liberties with the original text, it maintains the play's core themes of identity, family separation, and reconciliation. By embracing the farcical nature of the story and leaning into physical comedy, the Shakespeare Theatre Company delivers a thoroughly entertaining experience that proves the timeless appeal of one of the Bard's earliest works.
The production runs through October 20, 2024, at the Klein Theatre, offering audiences a chance to witness this delightful collision of classical text and modern sensibilities. With a runtime of 2 hours and 10 minutes, including an intermission, it provides a perfect evening of laughter and confusion – in the best possible way.