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Moving Parts; Designs for a complex world takes centre stage at Interior Design Show
IDS 2023 returned to its usual January time slot (January 19 to 22) hosting its long-awaited opening night party frequented by the design industry and its devotees.
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After a two-year pandemic-induced hiatus, the must-attend event kicked off three design-filled days at the Metro Toronto Convention Centre, showcasing current and emerging trends with innovations from both major brands and lesser-known players.
This year, perhaps more than ever, the spotlight on design matters that matter most took centre stage: The Moving Parts: Design for a Complex World theme spoke to the new reality prompted by the pandemic; a new way of living, working and interacting that emerged since January 2020 (a.k.a.) the last time there was an opening night party) and a close look at how product design addresses the most pressing issues the world faces now.
From climate change to material waste, the design solutions presented are slated to move mountains, and we are on-board.
From global leaders specializing in furnishings, countertops and fixtures to the solo-operated artisan, creativity isn’t enough. Products must be inherently sustainable, whether that means sourcing ethically made materials, supporting a local economy or ultimately, a business that adheres to the full gamut of circular design.
Starting with the Prototype platform within Studio North, the products featured (but not in production yet) offer the next generation of designers an area to showcase their ideas for the residential market.
Sex on the Beech Cabinet by Sheridan College student, Alison Postma, caught the attention of many at the show. Made of European beech, a sliding tambour door appears either pink or yellow, depending on where you view it from.
With a background in photography, and this particular piece inspired by lenticular prints, “when I design pieces, I am always thinking about how they’ll be viewed and photographed,” says Postma.
New at the show this year was The District, a marketplace for designers to show and sell their products to a discerning design crowd. The Mykos Vase by Rob Raeside, derived from the prefix “myco” (aptly referring to the mushroom kingdom) is a vessel for dried florals or can simply be introduced to any space as a sculptural accent.
Made from blown glass with a unique satin-like touch emanating a glow as it catches the light. $200. Visit robraeside.com to order.
Recognizing the global desire for protecting the planet, Caesarstone launched a multi-material surface comprised of porcelain and natural material this year. The product marks a leap forward in technology, functionality and design for countertop application and later this year, this Porcelain collection will be available in a range of 22 colours offering both solid and intricate patterns as well as honed or ultra-rough finishes.
Italian natural surfaces brand Laminam made its debut at the show with the unveiling of new colours and a multitude of surface applications which include: flooring, countertops, cladding and facades.
“Laminam was the first to revolutionize the natural surfaces market. We’re eager to tell the story of the brand’s rich Italian history and what sets our surfaces apart from the competition,” says Philip Eeles, president of Laminam North America
According to Statista, a transition to more innovative and energy-efficient technology that consumes less electricity and water has been a major driving force behind the growth of the household appliances market and Thermador heeded that call.
Offering zoneless cooking options and using a HomeConnect app, that enables you to ensure the contents in your fridge are chilled at the perfect temperature as well as the ability to preheat your oven when you’re on the way home, all from your phone.
French furniture brand Roche Bobois with its unique bold style, brings iconic pieces like the bubble chair (design by Sacha Lakic) and the Aqua table (design by Fabrice Berrux) collection.
Lightmaker Studio’s The Etcetera Pendant turned heads with its sculptural yet streamlined feel. Native wood meets sandblasted glass to create a soft presence, entirely handmade in Canada.
