Jewish Comedy Shines in "Between the Temples" with Carol Kane

Nathan Silver's "Between the Temples" blends Jewish humor with heartfelt storytelling. The film, starring Jason Schwartzman and Carol Kane, offers a fresh take on the comedy of embarrassment genre, balancing laughs with genuine emotion.

August 22 2024, 04:25 PM  •  104 views

Jewish Comedy Shines in "Between the Temples" with Carol Kane

Nathan Silver's "Between the Temples" emerges as a noteworthy addition to the Jewish Comedy of Embarrassment genre, a tradition rooted in the early works of Philip Roth. This film skillfully navigates the delicate balance between humor and human complexity, offering a fresh perspective on familiar themes.

The narrative centers around Ben Gottlieb, portrayed by Jason Schwartzman, a cantor grappling with depression following his wife's passing. His life takes an unexpected turn when Carla Kessler, played by the incomparable Carol Kane, enters the scene as a septuagenarian seeking a bat mitzvah. Their relationship forms the heart of the story, exploring themes of faith, love, and personal growth.

Silver's direction pays homage to 1970s cinema, employing grainy cinematography and handheld camera work. This stylistic choice enhances the film's authentic feel, complementing its warts-and-all approach to character development. The script, co-written by Silver and C. Mason Wells, sparkles with witty one-liners and clever visual gags, such as Rabbi Bruce using a putter to tap golf balls into a shofar.

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The supporting cast adds depth to the narrative. Robert Smigel, known for his work on Saturday Night Live and as the voice of Triumph the Insult Comic Dog, brings humor and warmth to the role of Rabbi Bruce. The film also subverts expectations by avoiding common indie-comedy tropes, presenting nuanced characters instead of stereotypes.

"Silver's made something special here: a warm ensemble comedy with two slightly battered people at its center. L'chaim."

Ty Burr, film critic

"Between the Temples" shines brightest in its exploration of the relationship between Ben and Carla. Their dynamic, reminiscent of cult classics like "Harold and Maude," keeps the audience guessing about the nature of their connection. The film culminates in a Shabbat dinner scene that exemplifies the genre's ability to blend cringe-worthy moments with genuine emotion.

Schwartzman and Kane deliver standout performances, with Kane particularly praised for her ability to infuse her character with both humor and depth. Their on-screen chemistry elevates the material, creating a compelling emotional core for the film.

While "Between the Temples" may not have garnered major awards, it has resonated strongly with audiences on the festival circuit. Its blend of humor, heart, and cultural specificity offers a refreshing take on the comedy of embarrassment genre, proving that there's still plenty of life in this beloved cinematic tradition.