DDon't make him angry. You won't like him when he's angry. He's... very expensive to animate when he's angry. That's the old way of doing things.
MarvelShe-Hulk: Lawyer will be making his Disney debut this Thursday (August 18) It was first published on +. A courtroom comedy set in the interconnected Marvel Cinematic Universe. The nine-episode series focuses on Jennifer Walters (Tatiana Maslany), cousin of Bruce “The Hulk” Banner (Mark Ruffalo). She is a capable lawyer, and after being accidentally contaminated with some of Banner's blood, she was imbued with Hulk-like powers, and we all know how it works. I'm here. First she becomes mean, then she becomes green.
Even before the series debuted, it was frowned upon. The trailer was taken to Twitter's kangaroo court and sentenced to a week of harsh mockery. Fans were quick to satirize the seemingly questionable CGI used to render Maslany as her big, vibrant alter-ego. Whatever your thoughts on what She-Hulk will look like in the final product, I personally don't quite understand what kind of photorealism people expected from a seven-foot-tall radioactive monster. was. The nadir comes at the end of Episode 1 when the two Hulks go head-to-head in a secluded jungle hideout. The fight quickly devolves into an ugly blur of weightless, cheap digital effects.
Despite producing the world's largest and most profitable movie franchise, Marvel Studios (a subsidiary of Disney) has come under increasing scrutiny for its visual effects in recent months. Too often, even though millions of dollars have been poured into special effects, the end result looks completely tacky...there are exceptions, of course.The vibrant, stylized color palette of Guardians of the Galaxy Vol 2. Some of Sam Raimi's recent Doctor Strange sequel sequences. Part of WandaVision playing around with various TV-influenced aesthetics. But for the most part, Marvel has become synonymous with some kind of bombastic, unappealing VFX multi. It's no wonder the franchise is increasingly seen as cinema's answer to fast food. Even I'm starting to want it. A few months ago, Taika his Waititisomewhat disrespectfully mocked his CGI for part of his recent film Thor: Love and Thunder(although , there is no denying that the scene in question looked jarring and comical)). Many are rushing to defend his VFX house, which Marvel employs to implement many of its special effects. They claim the blame lies at Marvel's feet.
"Working on #Marvel shows was the reason I left his VFX industry," saidfilms like Spider-Man: Homecomingand Guardians. tweeted Dhruv Govil, the artist who worked on of the Galaxy"They're terrible clients. I've seen too many co-workers collapse after being overworked while Marvel tightens their purse strings." Making similar claimsMarvel is said to demand major changes on short notice and change deadlines without warning.It is a miracle that special effects can be used remotely. Impressive.
She-Hulkcreator Jessica Gao talks about being disconnected from the VFX aspect. "The machine just started spinning," she told Variety. road. In the same interview, she admitted that after she was initially given "discretion", studios kept asking her to cut scenes featuring She-Hulk to ease the burden of special effects.
Ironically, at least when it comes to She-Hulk, this is an issue entirely of Marvel's own making. Their many TV series cost tens of millions of dollars each to produce, but their budgets are significantly lower than those released on film, usually six episodes or he's nine episodes. It should stretch to longer runtimes. Despite the growing importance of TV shows in studio strategy, they still don't get the budgets of the biggest Hollywood movies, and for good reason. But traditional pre-streaming TV will find ways to accommodate media budget limitations. That is, by shrinking sets, reusing sets and locations, avoiding big-name actors, and settling for cheaper practical effects where appropriate,She-Hulk could be replaced. In, we're trying to approximate the production value of Marvel's blockbuster movies.
Dangerous Cousins: Mark Ruffalo as Bruce Banner and Tatiana Maslany as Jennifer Walters
(Marvel Studios )
The world doesn't end with boring special effects. Audiences could always overlook a shoddy graphic or two if it served a well-written, well-acted scene. See Fu. She-Hulk The battle between Hulk and She-Hulk towards the end of Episode 1 isn't just bad because of the rushed CGI. It's dramatically inert, unconsciously staged, and, in Ruffalo's case, acts rather unconvincingly. (Bruce Banner's turn to light-hearted comedy certainly doesn't do Ruffalo's usually rugged portrayal any favors. The bar is constantly being raised for what audiences subconsciously want from VFX, and Marvel needs to start storing it - or find a better way to tell its story.
"She-Hulk" now streaming on Disney+
